I started photographing people in the streets with no agenda, just instinct. What drew me in wasn’t the spectacular, but the ordinary—the unnoticed details, the fleeting gestures, the quiet tension of daily life. I don’t set the stage; I step into it.
With a spontaneous approach and a snapshot aesthetic, I capture moments as they happen, raw and unfiltered. I’m not looking to document history or reveal absolute truths. What matters is the emotion a photograph carries, the space it leaves for interpretation. A single image can hold a thousand different stories, depending on who’s looking.
I shoot on film because it forces me to trust my instincts, to embrace imperfection. My work isn’t about nostalgia, but about moments that refuse to be forgotten.
The streets are never the same twice. That’s why I keep walking.
